My father said: Fox took another chicken last night
and scared two others to death,
and your goddamn dog never lifted his head.
Kill it. He meant the fox,
not the dog. I followed his tracks
and the small splats
of blood and brown feathers
through the snow (I was glad
it snowed, I couldn't track a moose
on dry ground) to his foxhole
near the top of a steep hill
about a half mile away; fresh, loose
dirt marked it easy among some small pines.
I knew not to go too near
and leave my scent,
so I set up a good shot thirty yards away.
I built a small wall of snow, tripodded my rifle.
When he comes out of his den again
I'll shoot the red fox dead.
Two hours later,
I hear my father call: Fox took another chicken!
I moved neither my blue finger
from the trigger nor the crosshairs
off his foxhole. Turns out, he had a back door.
In no foxhole I'd ever heard of—in movies,
comics, TV shows, school, and later, in books—
did a foxhole have a back door; no, only one door,
upward, through the roof—a helmet usually—over which,
and through which, bullets and shrapnel tore.
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Spring Feature 2012
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Feature
- Poets in Person Claudia Emerson and husband Kent Ippolito in Fredericksburg, VA
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Music
- Cornelius Eady "I Need a Train", words and music by Cornelius Eady
- Claudia Emerson "Shot Her Dead", words and music by Claudia Emerson and Kent Ippolito
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Poetry
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Book Review
- David Rigsbee reviews Secure The Shadow
by Claudia Emerson
- David Rigsbee reviews Secure The Shadow