Honeysuckle grips the back wall in the coming light.
Silence carries with it all of the silence before.
I am what shows up.
Each day, I enter and take off my shoes.
In the field, deer gather what is possible.
The house holds me.
Sartre's "bad faith" means acting without authenticity.
I watch myself fill the coffee filter.
My nightgown clings as a bat wing to bone.
When I kiss you, I am a mask kissing you.
I don't understand more than that.
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Issue 84
-
Editor's Note
-
POETRY
- Nico Amador
- Christopher Bakken
- Rosebud Ben-Oni
- Beverly Burch
- Cyrus Cassells
- Joanne Diaz
- CD Eskilson
- Joseph Fasano
- Augusta Funk
- Mag Gabbert
- David Groff
- Kelle Groom
- James Allen Hall
- Ricardo Hernandez
- Abbie Kiefer
- Sandra Marchetti
- Kelly Moffett
- Caroline Plasket
- Jacob Rivers
- Esteban Rodriguez
- Hayden Saunier
- Katherine Smith
- Samn Stockwell
- Noah Warren
- Maw Shein Win
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BOOK REVIEW
- Eric Fishman reviews The Poetry of Pierluigi Cappello
translated by Todd Portnowitz - Kim Jacobs-Beck reviews Quantum Heresies
by Mary Peelen - David Rigsbee reviews Summer Snow
by Robert Hass
- Eric Fishman reviews The Poetry of Pierluigi Cappello
Issue > Poetry
After He Left
The books had it right:
I floated in the largest lake
in the smallest town.
The fundamental stunned me:
the jar's shadow held in the wall.
A far-off light split the night into two.
I became another sort in the room.
Freud said flowers have no emotion.
(The coneflowers reminded me.)
The upsurge held.
Emptied me as a can, a rusted bell.
I smudged him from the saltshaker.
No hammer or sword stirred the air
like his breath.